- LIGHTROOM PHOTO EDITING WITH DARK PANELING HOW TO
- LIGHTROOM PHOTO EDITING WITH DARK PANELING SOFTWARE
Celebrate the majesty of America’s natural wilderness with this special paperback edition honoring the 100th anniversary of Grand Canyon National Park ? the perfect gift for nature lovers and photography enthusiasts alike. One of America’s most popular national parks, the Grand Canyon hosts over six million visitors each year. It showcases amazing photographs from the legendary Ansel Adams.Īnsel Adams was the most honored American photographer of the twentieth century and one of its most respected environmental leaders. You can then look at the black and white versions on the camera, or compare them with the color raw versions after you import them into Lightroom.Įditor’s Note: If you’re looking for a little inspiration for your black and white photography, check out the newly published, THE GRAND CANYON AND THE SOUTHWEST. On some cameras, the scene in the viewfinder and the LCD will preview the black and white version before you take the shot. If your camera has this feature, set it to capture photos in Raw+JPEG and set the JPEG to save in a black and white simulation. I’ll leave you with a quick exercise to help you see the potential of black and white scenes.
LIGHTROOM PHOTO EDITING WITH DARK PANELING HOW TO
Once you understand how the colors are interpreted, though, and how to adjust their appearances, you can edit your black and white photos more to your liking. And sometimes the presets and profiles might be exactly what you’re looking for. In many cases, switching a color image to black and white will result in a perfectly fine image.
LIGHTROOM PHOTO EDITING WITH DARK PANELING SOFTWARE
In both applications, you can also click the Auto button to see how the software interprets the image. Click the star icon in the corner of a thumbnail to save that profile as a favorite for faster access later.
The Amount slider that appears beneath the profile (Lightroom) or above the thumbnails (Lightroom Classic) lets you set the intensity of the profile’s effect. As you drag over each thumbnail, the effect is temporarily applied to the image as a preview. In both Lightroom and Lightroom Classic, choose one of the options listed next to Profile, or click the Browse All Profiles button, expand the B&W list, and click the profile you want to apply.
For instance, when editing raw files from my Fujifilm camera, one option is “Camera ACROS v2,” one of Fuji’s profiles. One advantage to profiles is the ability to tap into the same recipes that camera manufacturers use to develop their raw images. Lightroom includes several black and white profiles, (un)helpfully named “B&W 01,” “B&W 04,” and so on, but they all provide specific looks that can either be what you’re looking for or a good starting point for further editing. You can assign a profile and then manipulate tone controls on top of that. Whereas presets are saved collections of settings, profiles are instructions for interpreting the image data, and have no effect on individual tone settings. Sharp-eyed readers will notice that choosing some of the presets also changes the Profile setting in the Edit panel (Lightroom) and Basic panel (Lightroom Classic). The Presets panel in Lightroom Classic appears to the left of the image.
This is the quick approach that produces basically the same effect as reducing the Saturation slider to –100, converting all color values to grayscale. The easiest method is to let the software handle the conversion with a single click of the B&W button in Lightroom, or the Black & White option under Treatment in Lightroom Classic. You’ll find the controls in the Edit panel of Lightroom (the newer cloud-based app, until recently called Lightroom CC) and the Develop module in Lightroom Classic, depending on which version you use. Most photo editing programs offer similar options, but I’m focusing just on the two current versions of Lightroom for this article. In Lightroom and Lightroom Classic, you’ll find multiple methods of making photos black and white and fine-tuning the appearance for the look you want. Converting a color photo to black and white isn’t just a matter of removing the color saturation, however. Now, of course, we can create the effect easily in software. Even long after color did become the norm, black and white remains a popular artistic choice. Making photos black and white is a separate treatment today, but for much of the history of photography, it was the only option-color film first didn’t existent, and then was often too expensive for most people to process.
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